Painting with Kenrick

Mana Contemporary in Pilsen, Chicago, Illinois

Since I revived my painting practice in November of 2020 I have been in this odd relationship with oil painting. If I’m being completely honest the relationship with oil has consistently been odd. But like any relationship, it must be nurtured to survive and my stubborn ass keeps coming back to it.

However, someone who does have a lovely relationship with the medium, is my dear friend Kenrick who came to visit and stay with me for a few days. During this time we took the opportunity to paint. We also talked about the flow state. The moments where actions come before thoughts, like in dance or making love and everything just flows, a trust.

On this studio night we started by placing paint on the pallet with no real plan as to where things were going, then we began to paint.

Throughout the painting process, I could feel myself getting out of flow, overthinking, and then just as I was doing so Kenrick would come in with a big old streak across what I was working on and snap me out of it. I knew this was a much needed intervention. After getting past that. I kind of just got a little loose with it, we took some brief moments of stepping back and analyzing what we felt was needed and then just added some more purposeful details to finish it off. The result, the first of many collaborative paintings to come.

Los Bagres, Durango, Mexico: July 30- August 10, 2021

This was my first time back to Mexico in 15 years, when I landed in the airport I rented a car and drove 4 hours through the mountains to my maternal homeland in Los Bagres, Durango.

The GPS stops working about 30 minutes before getting to this town. A town I had only visited once before as a teenager, but Mami Mitty was confident in my abilities to find it. “If you get lost just ask someone to point you to Los Bagres, once you’re there ask them to point you to Modesta’s house”. This was how I arrived to my location.

I arrived on the day of the Fiestas de St. Domingo, the biggest celebration the town hosts. The town had skipped last year’s due to Covid concerns. Bagres is a small town, population is roughly less than 200 people most of which now have summer homes in the town and live in the US. During my time there I stayed with my grandma and her close friend, Modesta. My aunt, who had just gotten her papers a week prior also was in town during my stay.

The town has no cell phone reception or wifi other than a little peak you have to climb to called “La Cruz”. I spent most of my days in Bagres, hiking the land, visiting the graveyard and the river, rummaging through family photos and foraging fruits and vegetation from the land and my Mami Mitty’s huerta. At night, I wondered the dimly lit streets, smoked some local weed, went to the vollyball canchas with my family and hiked up to La Cruz a few times to get a good view of the stars.

I, unfortunately, did not get to use all the film I brought on this trip as the camera my lovely studio mate and friend, Daniel had lent me’s battery died halfway and there was no way I was going to be able to replace it during my stay. But I was able to capture some of the flowers at night, the aftermath of the fiestas, the men on horses that I met on my morning stroll, my great grandmother’s grave, my Mami Mitty on the door of the hotel room she stayed in the night before she got married, a hotel that is now only ruins and a few other memories that I cherish.

I also did not get to visit the land I had been most wanting to see, Zapiguri. This is the original maternal homeland, the place where my mother and grandmother were born, and where many of the stories I grew up hearing originate. This town lies further out into the mountains and the only way to get there is by crossing the river. A river that due to the rain was swollen during my stay and uncrossable by foot or with the 2018 Ford Figo I had rented. On top of crossing the river, it is an extensive hike by foot to get there. Life can be such a tease sometimes, I traveled so far and was so close to the town I only faintly remember yet this body of water, something relatively small yet powerful, prevented me from being able to see the thing I longed to see. Maybe it was the land’s way of ensuring that I would return.

Photos using Cannon Ae-1 and 35mm Portra 400 film

Flowers from the day I lost consciousness

The day I got these flowers, I lost consciousness.

I had gone out in the morning on a bike ride down the lake and took a detour that lead me to a farmers market in Lincoln Park. That’s where I found the flower stand selling this beautiful assortment of flowers. After, I decided to take myself to lunch at Three Arts, where I lost consciousness on my way to the bathroom and fell down a flight of stairs. I spent the rest of the day at the ER.

The flowers stayed with me throughout my little journey. Later in the week I took them with me to the studio and documented them.

Magical little things.

New York City 2021

New York City ayyyyy
July 2-5, 2021

My lovely friend Sophie invited me to visit her in NYC for 4th of July weekend. So much fun, I love energy and it was a great trip, I was both exhausted and energized by the end of it.

Photos using Cannon Ae-1 and 35mm Portra 400 film

First Film Experiments

On a late night at the studio I set up some still life’s and took some images. This was part of my midnight art practice, a collection of works created around / after the hour of midnight in the studio.

I shot these images in the dark using a handheld heavy duty flash light to illuminate the work and my other hand to hold the camera steady as the shutter opened at a longer exposure.

Photos using Cannon Ae-1 and 35mm Portra 400 film

A night with a father

“Where’s Kevin?” J asked, we’ll call him J for the sake of this story. A smile he couldn’t hide crossed his face when I told him we were no longer together, followed by him announcing that he too was recently single.

I had met J a few months before, through my studiomate Daniel. I had been working in the studio and Daniel had set up a test shoot to try out his new film video camera. Being that J had picked up film photography, I believe Daniel had invited him over to assist in this shoot. It was a very brief meet, and I didn’t think much of him. I remember showing him my death song, the one I pictured playing at the end of my life as the end card “FiN” shows up on screen, and I remember handing him my Milwaukee drill to help Daniel install some screws before going back to my own work in the other section of the studio. Daniel was inviting many people to come visit us and collaborate at the new studio and I enjoyed the brief encounters meeting them.

There were a few other scattered encounters with J after this initial meet. He had tossed my name as a potential artist to photograph for a collaboration merch line that was releasing at a store in Chicago. I declined that invite although I thought it was very sweet of him to consider me. My studio mate Daniel had also commissioned him for a chair, J was also a carpenter, and a skilled one, so I think he had come by the studio a few times for this, and then once more when he and his collaborator had asked Daniel to shoot photos of them for an upcoming thing. In the spring, I had responded to an instagram open call for people to photograph, I was like why not, his work looks cool, so I met J at a park near the studio in Pilsen to do this shoot.

It was March 2021. I remember Kevin coming with me to the park, he had quit his job a few months prior and had been going everywhere with me. Kevin decided to stay in the car that day and I shot with J for a few hours, it was a fun shoot. A few weeks later Kevin and I broke up for reasons I name somewhere else on this blog. I was 27, single for the first time in my adult life, for the first time since I was 17 and with Chicago summer approaching. I started therapy shortly after, I was worried that the grief would hit and I would miss Kevin, but I never did, instead I felt relief.

Somewhere in this period of singleness, I began to think of J. Between the shoot and the break up, I had developed a curiosity about him, I had felt so comfortable shooting with him and he was attractive. How had I not noticed that before? At some point he had reached out to do another shoot, and the thought of seeing him again was exciting. So we set up a time to shoot and my studio mate Daniel was out on vacation.

J came by the studio sometime late June, and we shot another series of photos together. He had brought a chair he had made in honor of his grandfather for me to pose with, and I had brought a bunch of clothes to try on. After a few hours we decided to take a break, stepped outside and smoked some weed I had brought back from a recent trip to San Diego, then we went for a walk around the neighborhood to get smoothies. After, we sat and talked for a while, I found out he had a son, and he told me what he was up to in life. Before he left, we hugged, it was a long hug and then he called me shortly after. He had left his chair at the studio and would have to return and asked me about the music I had been playing during the shoot. It was Natalia Lafourcade and Los Macorinos, I had been listening to those two albums almost every morning that summer, they were peaceful.

A few days later we arranged for him to come back to the studio to pick up his chair, I was going to a daytime garden get-together and then to the studio to work for the night, and I wanted to see him. I had taken off my dress and heels and changed into my studio clothes before he showed up holding a half-filled bottle of Jameson and a McDonald’s cup of ice and coke. We talked for a few hours and took an edible, before he said it was time for him to leave. We hugged again, another long hug, and he left. A few moments later he returned, he wanted to know how I had felt about our hugs, I liked them, I liked feeling him. We hugged again and this time I stuck my hand down his pants. He picked me up and pinned me to the pillar in the studio then walked with me over to the one-seater couch sitting us down in a position where I was straddling on top of him. We were kissing and he wanted to eat me out, and I wanted to do everything with him. But I knew I couldn’t, I was on my period. I was also not that kind of girl, I had just come out of a 10-year relationship. I had only been with one man in my life, yet, here I was getting wet for a man who hadn’t even taken me out on a proper date. 

I had started this piece in the studio before J had arrived and I finished it that night after he left, in it are hidden details of the events. His grandfather's chair, across from it on the other panel, the one seater he sat us on. My friend Xerx had brought anemones to the studio a few days prior and I had always thought of them as “eyes” but here in this drawing they serve the dual purpose of referencing my boobs. I also found a phallic looking vase in one of the ikebana books and the occasion seemed appropriate to include. 

Untitled. 2021. Charcoal on drawing paper. 90 x 48in.

A call with my mother

After spending some time making my 8.5 x 11 charcoal pieces I decided I wanted to create a large scale piece.

I had some heavy duty drawing paper so I laid it out on the studio floor putting weights on the ends to avoid having the paper curl and began spreading loose charcoal around with my hands wearing nitrile gloves to protect myself. After I laid out a few ikebana books open to select pages and began to carve out the image using an eraser and charcoal sticks.

At some point my mom called me. We began talking on the phone. My mom likes to talk about religion and Catholic mysticism. So she began sharing the story of Sister Lúcia dos Santos , one of the three kids who witnessed the Virgen of Fatima miracle and who was given visions of the end of the world. As she described the story of Fatima, the apocalyptic visions and the “Miracle of the Sun” that took place on October 13, 1917, where where the sun appeared to change colors and rotate, I continued to draw.

My mom is very present in this final piece. As I look at it in it’s final form I’m certain remnants of our conversation seeped into this drawing. A drawing which manifested itself with no prior planning. In the making of this I also thought of her home town of Zapiguri in the mountains, I thought about my dreams, portals into other mystical spaces, stories of the supernatural I grew up hearing all resulting in this piece.

A Visionary Call from Alicia. Charcoal on drawing paper. 90 x 48 in. Chicago.

Image taken of the setup with the main studio lights on June 9, 2021

Typical lighting situation for my charcoal drawing setups, main studio lights turned off with a few spotlights lighting the work area / piece

Painting 4

Painting 4

For this one I took a different approach, I was inspired by the night sky of Chicago in the winter, a little bit of green/brown from the light that reflects back on the densely clouded sky. I’m also curious about adding jewels to the painting. I sourced the coup from a vintage store in Chicago, I like the detailing on the glass and I wanted to capture it in some way.

Painting 3 : My ode to Goya’s Witches’ flight

I spent some time browsing art on the web in 2020. I had a little Goya phase where I would go on el Prado’s website and look at a bunch of Goya’s work on my large Mac monitor. During that time I really gravitated towards the darker toned paintings, something about them felt soothing and peaceful. I took a cinderblock I had in the studio and positioned it at an angle and made this painting .

Painting 2: Ojos en el Cielo

Painting 2

One late night at the studio, I set up these rings I had and snapped a flash photo of them, resulting in the image of two eye floating in the sky. The following night I painted this piece at the studio.

Painting 1: Midnight Still Life

Painting 1
January 16 - January 18, 2021

This painting took me a few nights. The first night I planned on working late into the night. But the heating stopped working in the building. By hour 2 I was freezing. I decided to call it and head home around 3am. I returned a few nights later to finish the piece.

Colored Pencil Drawing 2 : Dream of an Old Friend

A drawing I made after a dream I had of an old friend.

I had been having dreams of this old friend for a while, looking back I now know what it meant.

For this image I used a photo I had taken of a flower arrangement another friend, Xerx, had given me as reference.

Colored Pencil Drawing

I decided to do a drawing using colored pencil. I’ve been playing with this image of cross-shaped eyes in a landscape.

4x6, Colored pencil on heavy-weight cardstock paper

My Birthday

I really enjoyed this birthday, maybe because in a selfish way I enjoyed the solitude and isolation that 2020 provided. I went to the beach in Indiana and it was empty. I went to the Botanic Garden later that day, empty. I got back home after a nice chill day being in nature to find two weird sunburns on my ass. It was a nice little birthday.